nowhere, is a series of collages and cut outs created from old military albums and historic landscape photography of the 1960s, when my father was in the military. The work investigates what Munira Khayyat calls “naturalized war”, when war is so pervasive in a place, that it becomes naturalized into the landscape. Juxtaposed are photos of family members, many of whom were refugees, with their contexts cut-out, their backdrops replaced with everywhere and nowhere, wherever the viewer happens to be when they pick up the photo and look upon it.